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In the early 1980s together with Milco Mancevski he formed Bastion, one of the first electronic bands in Macedonia. Subsequently, he went on to play with one of the most famous Macedonian bands Leb i Sol, recording two albums and touring extensively around the Balkans and the rest of Europe.

In the 1990s, Kiril moved to Australia and began experimenting with music, combining ethnic Macedonian music and electronic beats. This led to his first solo release, Synthetic Theatre, an EP received extremely well by Australian independent radio stations.

In 2000, American label Tone Casualties released his album Homebound, which continued the concept of blending Macedonian ethnic instrumentation and electronica. It received excellent reviews from critics around the world, including individuals from the United States, Canada, UK, Spain and Japan. Croatian Playboy Magazine voted it the best album of the year from the Balkan.

After returning to Macedonia, he composed the film score music for Milčo Mančevski's movie Dust, as well as for the films Bal-Can-Can and The Great Water.


He performed concerts around Macedonia and abroad, including performances at the international EXIT FESTIVAL in Novi Sad Serbia. He was also involved in composing additional music for the 2007 Milčo Mančevski film Shadows.

Several of Džajkovski's compositions were featured on the critically acclaimed Australian miniseries, Underbelly.

With his strange style of etnich sence of electronic music he is now s with a great respect from his fans one of the bestest european DJ's!